Characterization in Storytelling Performance

Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

Original languageEnglish
Title of host publicationWorlds in Words: Storytelling in Contemporary Theatre and Playwriting
EditorsMateusz Borowski, Malgorzata Sugiera
PublisherCambridge Scholars Publishing
Pages179-191
ISBN (Print)978-1-4438-2109-4
Publication statusPublished - Jun 2010

Bibliographical note

Reference text: Works Cited
Primary Sources
McPherson, Connor. This Lime Tree Bower: Three Plays. London: Nick Hern Books/Dublin: New Island Books, 1996.
O’Kelly, Donal. Catalpa. Dublin: New Island Books/London: Nick Hern Books, 1997
Rame, Franca and Dario Fo. The Same Old Story. Trans. Gillian Hanna. In A Woman Alone and Other Plays. London: Methuen, 1991, 49-60.

Secondary Sources
Alexander, Tamar and Michal Govrin. “Story-Telling as a Performing Art.” Assaph Studies in Theatre 5 (1989): 1-34.
Bauman, Richard. “Verbal Art as Performance.” American Anthropologist 77, no 2 (1975): 290-311.
--- Story, Performance and Event. Cambridge: CUP, 1988.
Brantley, Ben. “Theater Review: Wearing Everyone’s Shoes, Yet Being Themselves.” New York Times 2 April 2001 [online]. Available at http://theater2.nytimes.com/mem/theater/treview.html?pagewanted=print&_r=2res=9E01E6. Accessed 02/07/2007.
Castagno, Paul C. “Varieties of Monologic Strategy: The Dramaturgy of Len Jenkin and Mac Wellman.” New Theatre Quarterly 34 (1993): 134-46.
Cortazzi, Martin. Narrative Analysis, London, Washington D.C.: The Falmer Press,1993.
Counsell, Colin. Signs of Performance. An Introduction to Twentieth Cenury Theatre. London and New York: Routledge, 1996.
Elam, Keir. The Semiotics of Theatre and Drama. London: Routledge, 1988.
Esslin, Martin. The Field of Drama: How the signs of drama create meaning on stage and screen. London: Methuen Drama, 1988.
Espiner, Mark. “Review of Rum & Vodka and The Good Thief.” Time Out 7 May, in Theatre Record 23 April – 6 May (2001): 559.
Fuchs, Elinor. The Death of Character, Bloomington, Indiana: Indiana University Press, 1996.
Gardner, Lyn. “Review of Rum & Vodka and The Good Thief”, Guardian 3 May, in Theatre Record 23 April – 6 May (2001): 558
Gilbert, Helen and Joanne Tompkins. Post-colonial Drama: Theory, practice, politics. London and New York: Routledge, 1996.
Hanna, Gillian. “Introduction: Performing in the Mirror.” In A Woman Alone and other plays. London: Methuen, xv-xviii. Rame, Franca and Dario Fo 1991
Harvie, Jen and Richard Paul Knowles “Dialogic Monologue: A Dialogue.” Theatre Research in Canada 15, no.2 (1994): [online]. Available at: http://www.hil.unb.ca/Texts/TRIC/bin/get.cgi?directory=vol15_2/&filename=Harvie.htmv Accessed 02/07/2007.
Kirby, Michael. “On Acting and Not-Acting.” In Acting (Re)Considered, edited by Philip Zarilli, 43-58. London and New York: Routledge, 1995.
McPherson, Connor. ‘Author’s Note’ in This Lime Tree Bower: Three Plays. London: Nick Hern Books/Dublin: New Island Books, 1996.
Peterson, Eric E. “Narrative Identity in a Solo Performance: Craig Gingrich –Philbrook’s ‘The First Time’.” Narrative Inquiry 10, no. 1 (2000): 229-51.
Pfister, Manfred. The Theory and Analysis of Drama. Trans. John Halliday. Cambridge : Cambridge University Press, 1988
Riessman, Catherine Kohler Narrative Analysis. London: Sage, 1993.
Roche, Anthony. ‘The Return of the Story-Tellers’, Theatre Ireland 17 (1989): 21-3.
Sample, Colin ‘Living Words: Physiognomy and Aesthetic Language.’ In The Incorporated Self: Interdisciplinary perspectives on embodiment, edited by Michael O’Donovan-Anderson, 119-26. Lanham, MD: Rowan and Littlefield, 1996.
Wallis, Mick and Simon Shepherd. Studying Plays. London: Arnold, 1998.

Keywords

  • characterisation
  • storytelling
  • performance

Cite this