This article looks at Tyler Mitchell's call for "a Black utopia" in fashion photography to address a history of misrepresentation and effacement in the medium. It considers his recent monograph, I Can Make You Feel Good, as well as his work for i-D, Dazed, Document, Office, Fader and Vogue, in particular his images of Beyoncé for America Vogue in September 2018.
|Number of pages||2|
|Journal||Source - The Photographic Review|
|Publication status||Published - 10 Jan 2021|
Bibliographical noteThis is a regular column in the journal
- Fashion; Photography
- Black culture