Activities per year
While there is evidence that transfer-printed British ceramics from Staffordshire and Sunderland were exported to Japan, via Nagasaki, during the Edo period (1603-1868), it is unclear how much technological influence these small volumes exerted. However, the rapid post-war industrialisation of production in Seto meant that European and American manufacturing processes, including slipcasting, transfer printing and flower-making, were steadily adopted and assimilated by producers. Ironically, while vestiges of the novelty industry remain, Seto now faces similar economic challenges to those experienced by the original European centres of production, including Staffordshire.
|Publication status||Published - 5 Oct 2019|
|Event||One Thousand Years of Ceramic Innovation, Society for Post-Medieval Archaeology, Museum of London - Museum of London, London, United Kingdom|
Duration: 5 Oct 2019 → 5 Oct 2019
|Conference||One Thousand Years of Ceramic Innovation, Society for Post-Medieval Archaeology, Museum of London|
|Period||5/10/19 → 5/10/19|
FingerprintDive into the research topics of 'From Stoke to Seto: The adoption of British ceramic manufacturing techniques and styles in twentieth century Japan'. Together they form a unique fingerprint.
Christopher Mc Hugh (Organiser)9 Oct 2019
Activity: Participating in or organising an event › Organising a conference, workshop, ...
Ceramic Artist in Residence, Seto International Ceramics and Glass Art Exchange Program, Seto City, Japan
Christopher Mc Hugh (Participant)1 Nov 2015 → 22 Dec 2015
Mc Hugh, C., 15 Aug 2020
Research output: Non-textual form › ArtefactOpen AccessFile
Works SetoMonogatari 5,6,7,8: exhibited in Land/Marks, Ceramics Ireland Triennial 2020, Farmleigh Gallery, DublinMc Hugh, C., 15 Aug 2020
Research output: Non-textual form › ExhibitionFile
Mc Hugh, C., 9 Oct 2019.
Research output: Contribution to conference › OtherFile