New Cinema, New Media: Reinventing Turkish Cinema comprises a wide range of essays by scholars from different corners of the world and is enhanced with contributions from England, the USA, Canada and Turkey. The essays mainly focus on various themes around films, directors and producers of Turkish and world cinema. We have tried to categorise the different parts of the book with the help of a virtual map of our knowledge about the creation and interpretation of new cinemas around the world.
|Title of host publication||New Cinema, New Media: Reinventing Turkish Cinema|
|Place of Publication||Newcastle upon Tyne|
|Publisher||Cambridge Scholars Publishing|
|Publication status||Published - 1 May 2014|
Bibliographical noteReference text: Akser, Murat. 2010. Green Pine Resurrected: Film Genre, Parody and Intertextuality in Turkish Cinema. Saarbrucken: Lambert Academic Publishing.
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Arslan, Savaş. 2009a. “The New Cinema of Turkey”. New Cinemas: Journal of Contemporary Film 7 (1): 83-97.
Arslan, Savaş. 2009b. “Venus in Furs, Turks in Purse: Masochism in the New Cinema of Turkey”. Cinema and Politics: Turkish Cinema and the New Europe: 258-67.
Arslan, Savaş. 2011. Cinema in Turkey. A New Critical History. New York: Oxford University Press.
Arslan, Savaş. 2012. “Fatih Akın’s Homecomings”. In A Companion to German Cinema, edited by Terri Ginsberg and Andrea Mensch, 249-259. London: John Wiley and Sons.
Atakav, Eylem. 2011. “‘There are Ghosts in These Houses!’: on New Turkish Cinema: Belonging, Identity and Memory”. Inter‐Asia Cultural Studies 12 (1): 139-144.
Bayrakdar, Deniz, ed. 2009. Cinema and Politics: Turkish Cinema and the New Europe. Newcastle-Upon-Tyne: Cambridge Scholars Publishing.
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Çakırlar, Cüneyt and Özlem Güçlü. 2012. “Gender, Family and Home (land) in Contemporary Turkish Cinema”. In Resistance in Contemporary Middle Eastern Cultures: Literature, Cinema and Music, edited by Karima Laachir, Saeed Talajooy, 167-183. New York: Routledge.
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Hartley, Paul. 2011. “The ‘Return to Home’: The Musical Construction of a Common Trope in New Turkish Cinema.” CINEJ Cinema Journal 1: 76-88.
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Özkaracalar, Kaya. 2012. “Horror Films in Turkish Cinema: To Use or Not to Use Local Cultural Motifs, That is Not the Question”. In European Nightmares: Horror Cinema in Europe Since 1945, edited by Patricia Allmer, Emily Brick, and David Huxley, 249-260. New York: Columbia University Press.
Paça-Cengiz, Esin. 2009. Film As A Tool To Re-Write History: New Political Cinema In Turkey. MA Thesis, Kadir Has University.
Robins, Kevin and Asu Aksoy. 2000. “DEEP NATlON: The national question and Turkish cinema culture” In Cinema and Nation, edited by Mette Hjört and Scott Mackenzie, pp.203-221. London: Routledge.
Spence, Louise and Aslı Kotaman Avcı. 2013. “The Talking Witness Documentary: Remembrance and the Politics of Truth”. Rethinking History. 17(3) 295-311.
Suner, Asuman. 2004. “Horror of a Different Kind: Dissonant Voices of the New Turkish Cinema”. Screen 45 (4): 305-323.
Suner, Asuman. 2009. “Silenced Memories: Notes on Remembering in New Turkish Cinema”. New Cinemas: Journal of Contemporary Film 7 (1): 71-81.
Suner, Asuman. 2011. “A Lonely and Beautiful Country: Reflecting Upon the State of Oblivion in Turkey Through Nuri Bilge Ceylan’s Three Monkeys”. Inter‐Asia Cultural Studies (12) 1: 13-27.
Suner, Asuman. 2014. “Between Laughter, Tears and Nationalism: The Rise of a New Popular Cinema in Turkey”. In Understanding Media and Culture in Turkey: Structures, Spaces, Voices, edited by Christian Christensen and Miyase Christensen, (forthcoming). London: Routledge.
- Turkish cinema